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A packbox sent to Austria contained a piece of clay, the remnant of my clenched hand during orgasm, without protection.
To prevent potential risks, soil needs authorization before importation, unless it is soil material that is not contaminated by organic matter, like clay. The work connects the land, women, and sculpture through the idea of “giving life,” parodying how traces of life/body are erased in speed (mobility) and norms (customs/postal regulation) of today’s world.